Charcoal Portrait

Step Six of “Unknown Legend” 0

Following the familiar theme in this drawing, I am striving to get the deepest value saturation in order to make the highlights pop. By laying a wash of charcoal and burnishing with the blackest graphite I know of, the Kimberly 9xxb, I can almost get a dark as black as charcoal that still melds with [...]

Step Four of “Unknown Legend” 0

Continuing the shading process down the muzzle, I also work on the leather straps of the bridle and the beginnings of the upper neck . Leather, especially shiny, yet worn leather, requires some intricate work to pull off the look. You tend to think of minor elements of a drawing are more or less one [...]

Step three of “Unknown Legend” 0

Here I continue down the muzzle, again reaching for very deep darks for the necessary contrast this drawing demands. The whitest I can get is the white of the paper so those blacks need to be fully saturated. Again I utilize the Kimberly 9xxb to burnish over a wash of charcoal. This horse’s white star [...]

Step Two of “Unknown Legend” 0

Since I am right handed, I generally begin shading a picture from the upper left of a drawing and work my way down and to the right. Often I need to rework areas, but I try to limit how much my hands will come into contact with shaded areas. Even with a paper shield, smudging [...]

Step one of “Unknown Legend” 0

Every time I receive a commission, it inevitably comes with a back story. Most often, someone will have a portrait commissioned to commemorate a special occasion. Whether that be a new addition to a family, a memorable moment capturing the essence of a childhood, or a wedding, an anniversary, or a posthumous memorial. They are [...]

Step 6 of Sgt. Weaver 0

The portrait is completed. To make the whites of the teeth and the shine of the badge come through I lightly shaded the background. This photo doesn’t really pick it up very well, but it knocks down the values enough to draw out the highlights. Often I find that some drawings do not photograph well [...]

Step Five of Sgt. Weaver 2

Now that I have the main focus of the portrait – the head and face – I am trying to compliment it with the contrast that the shirt and tie will bring. I might have been able to get a good dark with the Kimberly 9xxB pencil, but I chose to put down a relatively [...]

Step four of Sgt. Weaver 0

The face and hair are now pretty much done. After I begin the shirt and tie I will be able to better determine if I need to do any adjustments. I have used the subtle texture of the paper to accentuate the skin texture of the subject. I am still using a brush to blend [...]

Step Three of Sgt. Weaver 0

Since the last post I have moved on to the hair, and further shaded a good portion of the face. I want the hair to have very defined contrast, but I want to save the darkest darks for the shirt and tie so I used several grades of graphite including the Kimberly 9xxB to get [...]

Step two of Sgt. Weaver 0

I usually shade the forehead first, and this portrait is no exception. By covering a large area with washes of graphite I can begin shaping the head and more importantly, set a value range from which to build. No matter how many portraits I draw, I usually begin too light in my values. Right now [...]