portrait

Cover art featured on Musical Score “One More Redeemer” 0

One of my drawings, Sturdevant, has been recently featured as the cover art for a lovely choral piece of music. You can see the online version and learn more about the music here: http://www.elizabethalexander.com/works/one-more-redeemer

Step Six of “Unknown Legend” 0

Following the familiar theme in this drawing, I am striving to get the deepest value saturation in order to make the highlights pop. By laying a wash of charcoal and burnishing with the blackest graphite I know of, the Kimberly 9xxb, I can almost get a dark as black as charcoal that still melds with [...]

Step Five of “Unknown Legend” 0

The glossy sheen the hair on the neck creates a neat rippling effect. It’s a beautiful, clean, and wonderfully natural look. However, this look is very difficult to give justice using graphite as a medium. I must get enough contrast to make the off-white of the paper look like reflected sun. I need a little help [...]

Step Four of “Unknown Legend” 0

Continuing the shading process down the muzzle, I also work on the leather straps of the bridle and the beginnings of the upper neck . Leather, especially shiny, yet worn leather, requires some intricate work to pull off the look. You tend to think of minor elements of a drawing are more or less one [...]

Step three of “Unknown Legend” 0

Here I continue down the muzzle, again reaching for very deep darks for the necessary contrast this drawing demands. The whitest I can get is the white of the paper so those blacks need to be fully saturated. Again I utilize the Kimberly 9xxb to burnish over a wash of charcoal. This horse’s white star [...]

Step Two of “Unknown Legend” 0

Since I am right handed, I generally begin shading a picture from the upper left of a drawing and work my way down and to the right. Often I need to rework areas, but I try to limit how much my hands will come into contact with shaded areas. Even with a paper shield, smudging [...]

Step one of “Unknown Legend” 0

Every time I receive a commission, it inevitably comes with a back story. Most often, someone will have a portrait commissioned to commemorate a special occasion. Whether that be a new addition to a family, a memorable moment capturing the essence of a childhood, or a wedding, an anniversary, or a posthumous memorial. They are [...]

Step Five of “Little Red Rooster” 0

I’ve been somewhat distracted lately and allowed this painting to be put on my back burner while I worked on other projects. However, I focused some attention on the canvas this morning and finally finished. I could add a few more glazes to get a more refined and realistic painting, but I prefer to leave [...]

Step Four of “Little Red Rooster” 0

When applying glazes, I usually wait for the underlying paint to be more or less dry. I often use liquin as a medium which hastens drying time a little bit, but it does generally take a few days to get to the point where I am comfortable in applying a thin even coat of liquin [...]

Step two of “Little Red Rooster” 0

I’ve just laid down some base colors here. It really is not even a complete under painting as I am using quite a bit of medium and really thinning down the colors to make the base coat go quickly. The image quality here is rather poor and the colors are a bit more intense in [...]